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Feeling Apollo: The Sensual Paradigms of Landscape at the Sanctuary of Apollo at Klaros

Jaimie Gunderson assesses the interplay between body and visual representations at the Sanctuary of Apollo at Klaros. In conversation with aesthetic theory and classical studies, Gunderson suggests that visitors to the Klarian landscape were implicated in two competing sensual paradigms, which enabled them not only to see, but to feel, Apollo.

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Material Culture and the Construction of Subjects

Marie-Pierre Julien and Céline Rosselin explore the issues at stake in the close physical relationship that people have with objects, proposing that this seemingly quotidian and frequently non-verbal process is a means of constructing human beings as subjects. What is at stake in material culture is not only the production of physical environments by actors but the effects of these environments in shaping people as specific kinds of social entities.

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Matters of Place: Placing Religion in Film

M. Gail Hamner explores the place of religion in film where, beyond cartography, place is relational: indexed in an at once individual and collective where, what and when. Beyond tracking actual and tangible places such as the Vatican or American West, religion in film is about what she calls affecognitive economies that offer expression for felt if unthought responses to those places. Hamner’s attention to film form, including light and sound, and to the sedimented histories of certain places further offer ways of feeling the violences that not only mark our current world filmicly but that also inundate our daily lived lives.

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