Simon Coleman, Tiina Sepp and Marion Bowman describe their ongoing collaboration on the “Pilgrimage and England’s Cathedrals” project. By exploring the links between space and different kinds of subjectivities, they propose ‘cathedral consciousness’ as a means to understanding the diverse functions of modern English cathedrals.
Alexandra Antohin uses the material analogy of the Ethiopian tabot to explore alternative dispositions to waiting and indeterminacy. She explores how ‘moving foundations’ of the home and church facilitate conditions of sustaining instability. This thought-provoking discussion considers how dilemmas of displacement and the manipulation of time during crises, such as urban resettlement, can revise sociocultural assumptions about the march of time as moving fast and forward.
Alexandra Antohin explores the museum-ification of churches in Ethiopia, Russia and the U.S. and how exhibitions and tours of religious significance establish active reference points for new forms of public engagement. Antohin draws upon her experience of these sites as well as contextualization theory to explore how religious media are included in the interpretative space of ‘church-museums’. She suggests that in Ethiopia, where tourism is still a new industry, multiple subjectivities and modes of interpretation may emerge through the display and reception of religious media in a public context.