Dai Newman draws attention to movies in which gay Mormon men engage in their first sexual encounter. In each case, the films include a brief moment of exposing sacred Mormon undergarments on the cusp of erotic contact. Newman considers how the garment is a visible, physical marker of conflicting identities and raises questions about the ability of intersectionality theory to explain the overlap of religion and sexuality.
Gregory Grieve studies virtual clothing in Hoben, a Second Life Zen community. He argues that Second Life residents emerge from their virtual practices where the ability to choose one’s gender, clothing and appearance increases mindfulness and offers a creative alternative to conventional heteronormative roles on both a political and spiritual level.
Jeremy Hamilton-Arnold analyses the phenomenon of the ‘hipster headdress’ and the display of the Plains Indian war bonnets in indie music festivals as a heterotopian hipster space. Native Peoples and their allies recognize this appropriative act as offensive inauthenticity and a profane twinning of a sacred original while for the hipster it fulfills desires for an authentic, pre-modern, outsider identity.
Alexander D. Ornella explores the sport of CrossFit as meaningful material practice via the use and display of t-shirts. He provides us with a unique case study and encourages us to look at the domain of sport with new eyes, one where materials, artefacts and practices are simultaneously part of the mundane world but also transcend the ordinary and manifest transformative values.